Monday, December 19, 2016

Niagara Falls

An unexpected trip to Niagara Falls in November offered me the best part of a very breezy day for a photography outing.
Courtesy of one of my wife's clients, we had a spectacular view of the falls from our room at the Niagara Falls Marriott Fallsview Hotel and Spa.
In this post I've selected three more photos to illustrate several tools included with the Develop module of Adobe Photoshop Lightroom® 5.4.
To take full advantage of Lightroom's editing capabilities, I always save files in the NEF (Nikon Electronic Format) RAW file format. (For a discussion of the benefits of shooting RAW, see my Top Five Reasons People Don't Shoot RAW.)
NOTE: To view a larger version, click the image once or twice. To return to the post, use your browser's back button.
Here's the first original that was taken from our room:
Niagara Falls - November 2016 - copyright Peter Marble

and here's the edit:
Niagara Falls - November 2016 - copyright Peter Marble

  1. To straighten the image, I used Perspective Rotate (+0.9) and then the Crop Overlay to crop it for more of a panoramic feel.
  2. Then to darken the sky, I applied a Graduated Filter to reduce the exposure and highlights in the top half of the image, followed by a bit of Sharpening and Noise Reduction.
  3. The water and mist of the Horseshoe Falls were already a bit blown out, but I wanted to boost the highlights elsewhere in the image. The Radial Filter is designed for just this type of situation. You select a round/oval area of the desired size and location, in this case the Horseshoe Falls. Next you make your adjustments that are applied everywhere except the filtered area. In this case I intentionally increased highlights more than I ultimately wanted, and then after closing the filter, reduced the highlights everywhere, including the Horseshoe Falls.
Here's the second original showing the hotels vying for the best view of the falls:
Niagara Falls - November 2016 - copyright Peter Marble

and here's the edit:
Niagara Falls - November 2016 - copyright Peter Marble

  1. I started with the Spot Removal tool to get rid of some dust bunnies that had glommed onto my sensor in the course of changing lenses - the worst one was above the tower third from the left. It's a great work around for actually cleaning the sensor which I finally did a few days ago. For a good article of how to do this, read Cleaning your Sensor by Thom Hogan.
  2. Next I made some minor adjustments to the highlights and dark tones, and to add a bit more colour, increased the yellow saturation and luminance.
  3. Finally, having already applied the profile adjustment for the my lens (Tamron SP AF 17-50mm F/2.8 XR Di II VC LD Aspherical [IF]) when I imported the photos into Ligthroom, for the most important adjustment, in the Lens Corrections panel I selected Upright, Auto which magically straightened the buildings!
Here's the final original which I took simply because of the double rainbow:
Niagara Falls - November 2016 - copyright Peter Marble

and here's the edit:
Niagara Falls - November 2016 - copyright Peter Marble

  1. To add some colour to the sky, I again used a Graduated Filter.
  2. To remove some of the blowing leaves and dust bunnies, the Spot Removal tool provided an easy fix.
  3. Once again, to stretch the image, I used the Crop Overlay tool.
  4. And finally, to give the image a bit more punch, I added a bit of saturation and vibrance.

Wednesday, December 7, 2016

Sandbanks Provincial Park

For this post I selected three shots from a mid-November walk on the beach at Sandbanks Provincial Park. For each photograph I'll show the original image shot with my D7000 and Tamron SP AF 17-50mm F/2.8 XR Di II VC LD lens, followed by a version edited with Adobe Photoshop Lightroom® 5.4.
NOTE: For a larger version, click any image; then to go back, use your browser's back button.
Here's the first original:
For this image I used Lightroom's radial filter to select just the leaf, then desaturated the rest of the image.

This is the second original:
Here I adjusted the light, shadow and dark tones, then reduced the clarity by 100% and finally applied a Post-Crop Vignette (-44).

And here's the last original:
Starting with a Post-Crop Vignette (-18), I then increased the light tones (+30) and decreased the dark tones (-20). Next I increased the Yellow Saturation by +93, then the Highlights (+100), Sharpening (+125) and finally Luminance Smoothing (+100).

Needless to say, a few other people (and species) beat us to the beach.